Milling around..

Last weekend was the European Mills Weekend.  Each year the whole of Europe celebrates its milling heritage on the third weekend of May, with demonstrations of the millers craft, and buildings being opened to the public which are often not accessible for the rest of the year.  Once upon a time there were lots of mills in Languedoc; St Chinian alone had in excess of 10 water powered wheels and one windmill.  I visited Roquebrun on the Sunday, and the St Chinian windmill on the Monday, and since I don’t want to make this post overly long I will split it into two.

I’ll start in chronological order with Roquebrun.  Until 1870, when the bridge across the Orb was completed, Roquebrun was somewhat cut off from the rest of the plain by the river.  On the carte de l’etat major a map from between 1820 – 1866 the road to Beziers led via Causses et Veyran and it was probably no more than a track.  There was a ferryman at Roquebrun, so that the arable land on the other side of the river could be accessed, but that was it.  The village was more or less self-sufficient, and the mills played an important role.

The first mill I visited was an oil mill, which was in operation until the 1920s.  Waterpower was provided by the stream from Laurenque, and the mill consisted of a crushing mill to reduce the olives to pulp, and a press to extract the oil.  In the 1920s the oil mill transferred to a location on the edge of village, now the site of the cooperative winery.  In the old days every possible spot of land was cultivated, and olive trees provided families with their supply of oil for the year.

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Across from the oil mill stand the other two mills: on the edge of the river is the grain mill, which ground the locally grown cereals into flour or cattle feed. The inside of the mill can be visited, and usually houses exhibitions of local artists.

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At the entrance level there is a reproduction mill,  and on the next floor the beautiful roof timbers are visible.  The wheel room can be accessed from the outside, and the entrance to the mill-race is still visible from the banks. The old mill stone is now outside, propped up against a wall.

Next over and now surrounded by water is the moulin a genet, a mill which was used to process plant fibre extracted from the spanish broom which grows abundantly on the hillsides.  At one point this mill could be reached on foot, but a change in the river bed on the opposite side has meant that there is now water all round it.  In case you are wondering, the round structure atop of the building was a pigeonnier, providing meat for the table.  The broom fibre was used to make sheets and sacking and produced a somewhat coarse fabric.  A lot of houses had their own looms, and the open loggias at the top of a number buildings indicate that this is where the drying of the fibres and weaving was carried out.

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The mills look a little like stranded ships, the pointed bows have helped them withstand the floodwaters of the Orb river for centuries.  The dam which fed both mills used to be made with bunches of twigs, and was replaced in the 1960s with a new dam made of concrete.  It’s due for a major refurbishment shortly.  Both of the water mills fell into disuse at the end of 19th century, when the villagers no longer relied on self-sufficiency.

As part of the mill weekend in Roquebrun a guided visit of the Jardins de Limpach was on the program.  We were met by the president of the association Patrimoine et mémoire de nostre pais, which researches and promotes the history and heritage of the village.  Our visit started just a few yards down from the mills, and took us along the Laurenque stream, to the site of the first gardens in Roquebrun.  This area of France was occupied by the Moors from the 4th to 7th centuries, and the Moors brought with them a certain amount of know how where irrigation was concerned.  The water was captured in a canal further up the valley, and each garden along the valley had a beal, a channel made of stones, which in turn filled up a basin called a tane.  From the tane the water was distributed on to the ground with the aid of a large and slightly curved paddle, more of a large soup spoon perhaps.

Other systems existed to get water into the gardens, where the ground was too high to be fed by the stream.  Along the valley are cisterns, into which the water would flow.

Some of them are barely visible, but others still seem to be in good repair and use.  To get the water out of the cisterns there were various methods.  One was something called chaine a godet, literally translated as a bucket chain, which was hand-cranked.  For larger amounts of water there was also the noria, which worked on a similar principle as the chaine a godet, but was operated by a donkey.

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But the most common and probably least expensive was the chadouff (or shadoof), which is called pousalanque in Occitan and which involved a stone pillar, a slender tree trunk, some stones and a bucket.  Examples of this can be seen today in India, Egypt and elsewhere.  There are many stone pillars left in the jardins de Limpach but only one which is more or less working at the end of the walk.

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The bucket hangs on a chain, and is lowered into the water by pulling the chain downwards to lower the arm.  The counterweight at the end of the arm helps pull the full bucket up without much effort, and the water is then emptied into a channel, which spills into a tane, from where it is splashed ont the surrounding crops.  At the top of the valley there was also the fontaine intermittante – a spring which overflows at certain times.  In the days before running water, the women of the village used to come here with their pitchers to get water and no doubt have a chat.  Later the water was pumped up to a reservoir at the top of the hill, from where it fed a number of fountains.

I followed the path the women would have taken for centuries, and it looked as might have when they did.  I couldn’t resist the Iris which were flowering along the way.

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Looking into some fo the gardens there are series of stone pillars, some of them connected by iron hoops.  According to our guide, the first orange trees were planted in this valley, and the structures were orangeries, which could be covered in winter to protect against frost.

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After that interesting visit I went for a little walk around Roquebrun, there’s a lot more to see and of course there is the jardin mediterranean to visit at the top of the hill, but that’s for another blog.

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Now for two last pictures!  The giant asparagus is the beginning of an agave flower stalk, and the pale blue patch in the distance is a field of blue iris.

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Sparkling all over

Earlier in the year I visited Limoux to experience the famous carnival.  But Limoux is a town worth a visit at any time of year. The reason?  A great drive, some wonderful architecture, AND sparkling wine!  Legend has it that sparkling wine originated from the Abbey of Saint-Hilaire near Limoux and a first recorded mention of sparkling wine dates from 1531.  The legend goes on to say that towards the end of the 16th century Dom Perignon stopped by the Abbey of Saint-Hilaire on a pilgrimage, and found out the secret of how to get the bubbles into the bottle, which he then applied to the wines in Champagne on his return there.

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Strawberry Hill Vineyards in Gloucestershire, England has it on their site that an Englishman called Christoper Merrett was the inventor of the process as he published a paper on it in 1662.  Wikipedia says that an Italian Doctor called Francesco Scacchi first wrote about the production of sparkling wine, and that Dom Perignon’s mission at his abbey in Hautevillers was to prevent the bubbles from forming in the wine. The more I read the more confusing it all gets – one of the problems with the internet of course…

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But I digress.  Limoux is along the banks of the river Aude, with the larger and perhaps older part on the west bank.  At the top of Rue Jean Jaures, where you enter the old town proper, are gate piers, nicely reminding me of the fortified walls which would have been here at one point.  As you walk down this road towards Place de la Republique you pass some beautiful facades such as this one.

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This house must be ancient,yet the carvings are still crisp in most places.  There was also a great shop window, and I have a feeling that they probably keep it going for some time!

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The people in Limoux really live their Carnival, and work on it year round!  Place de la Republique has arcades around three sides, which you can see in my Carnival post.  Just a few steps from there is a church, which has been made over many times, but I found some interesting stone carvings in one of the side porches.

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I wonder how long these guys have been there?

Walking through the narrow streets turned up a fair few interesting things.  I guess the imprisoned door knocker was to stop kids from playing with it?  Those iron grilles with the stylised cockerels are just amazing and I couldn’t pass by all those door knockers without taking a picture :-) .

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Recognize that house?  Have a look at the second picture in this post, this is the reverse of the sign.  Widow Tailhan on one side and Tournie and sons on the other – I wonder if they were related?  After the walk I headed for the east bank of the river and to Maison Guinot – the oldest Blanquette house in Limoux, established in 1875.  I first came across this producer back in 1998, when I bought their Blanquette for a birthday party, and I’ve been back a good few times since.  If you want to find out more about the technicalities of what goes into Blanquette there are good articles on Wikipedia in English and French, the latter being the more exhaustive of the two.

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The tasting room at Guinot is packed with cases of different Blanquettes, and the tasting is pretty interesting, the range is definitely worth a try, and I’m sure you’ll be able to find space for a bottle or maybe even a case or two.  The website for Guinot has some lovely pictures from the cellars, and also information on their products.  Sorry we can’t do virtual tastings over the net yet!  The guided visits are by appointment only, but they do look pretty interesting – next time perhaps…

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Of course alcohol should be consumed in moderation, and please don’t drink and drive!

Remembrance and flowers

On May 8 sixty-eight years ago the guns in Europe fell silent and the second world war came to an end.  France celebrates VE day as a public holiday, and each village holds a ceremony of remembrance.  Saint-Chinian is no exception and at 10.30 on the dot the procession of flags made its way through the gardens in front of the Mairie.  Following closely behind were the members of the town council, delegations of the Sapeurs Pompiers and the police, and the war veterans.

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Everyone lined up around the war memorial in the gardens, and flowers were laid to remember those killed in the wars.

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Of course the local brass band was there too!

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To start with the mayor thanked everyone for being there, and then asked all to observe a minute’s silence.  The president of the veterans association then read a letter from the Minister for war veterans, and after that the mayor spoke.   One of the points in his speech was that De Gaulle and Adenauer signed the French-German friendship agreement 50 years ago this year.  Europe has never known a period this long without any wars, and long may that continue.

To round off this post, I wanted to share some flowers which have been blooming in my garden recently.  This year the wisteria was a waterfall of blooms and simply magnificent!

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The California poppies have gone wild and popped up absolutely everywhere, creating wonderful splashes of colour.

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The comfrey is planted under one of the roses, and seems to thrive in the semi-shade.

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This exotic looking flower is probably a weed and will spread all over the garden if I don’t manage the seed heads :-) – does anyone know the name?

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The pelargonium is another early bloomer and despite being chopped back quite severely it has been flowering for a couple of weeks now.

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The next one is not a flower but a praying mantis (I think so anyhow).  I had a hell of a time getting a shot of this beastie, discovered while I was weeding the roses, and I hope you’ll be able to see what so fascinated me.  The back-end of it looked so very much like a stem bursting into leaf – very clever.  I’m glad I got the pictures I did, as the mantis had vanished the next time I looked, never to be seen again.  From what I’ve found on the net, it could be a juvenile Mantis Empusa fasciata or Empusa pennata – but don’t quote me on that :-) !

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And finally, here are some flowers not found in my garden, but on a recent walk!  Wild tulips, growing in a meadow.  A sight to gladden the heart!

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Saints and Camels

I wrote in a previous post that Beziers had a camel (or more accurately a dromedary) as its totem animal.  So, how did the camel arrive in Beziers?  Apparently with Saint Aphrodise, Beziers’ first bishop. The legend has it that Aphrodise was from Heliopolis and met the holy family on their flight to Egypt.  He converted to Christianity after the crucifixion of Christ and decided to spread the gospel in Roman Gaul. His mode of transport?  Not Ryanair, but the camel, perhaps the Ryanair of its time?

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He settled in Beziers, where he was eventually condemned to death by the governor for his overzealous proselytising.  After he was beheaded his head was thrown in a nearby well.  But, miracle of miracles, it didn’t sink and the water rose right to the brim of the well, bearing the head.  Now, you have to stretch your imagination a little more:  St Aphrodise reached in and picked up his head, and walked back to the cave where he withdrew from the world.  Along the way locals put snails in his path (why??) which he did walk over but did not crush.  Along the way a group of stonemasons were making fun of him, but god punished them and turned them into stone.  The camel was adopted by a potter.

I can just imagine you thinking “where is he going with all that?”  Well, in Beziers there is a church dedicated to St Aphrodise, and for years I’ve been trying to visit it.  Each time it was locked up and I could not find out when it might be open.  Then I came across the programme for the Fete de St Aphrodise, which advertised guided visits of the church and the crypt.  The cave which St Aphrodise withdrew to is now the crypt of the church, allegedly.

I got there for 12.30, just in time for the last visit.  From the outside the church is only partially visible, most of its perimeter has been built up, and the only access is currently via the small square on the south side.  What is visible is impressive – a large square bell tower looms over the square and the stone walls are incredible.  Up some steps to get to the entrance.  We were ushered into a chapel to the left of the door, where we waited for our guide.  The chapel had been beautifully restored, and I got the feeling that the visit would be interesting.  Our guide introduced himself as having worked for the archaeological department of the town of Beziers until his retirement, so he was familiar with several aspects of the church.  He explained that there are two parts to the present building – the Romanesque nave and the 14th century choir and apse.  The chapel we were standing in was in the base of the 14th century tower, and during work on the stairs it was discovered that there was a room below the chapel.  Indications showed that this room had been used for black masses – the priest at the time was not happy with that discovery!  We went past that staircase and into the choir by a small door.  Only a little light filtered through the stained glass windows of the apse, there was no light and our guide had only a small torch.

The first impression was wow – a huge space, which had a totally abandoned feel.  And it turned out that was exactly what had happened.  As the population of the centre of Beziers dwindled, the congregation of St Aphrodise slowly declined to the point where the parish was no longer viable, and the church shut up.  The church buildings belong to the French state, and of course there is very little money to maintain the thousands of churches, cathedrals and chapels all over France.  An association was formed, the Friends of St Aphrodise, with the aim of protecting the cultural heritage of that church.  And there is a lot which needs protecting.  The interior of the church was remodelled at some point in the 18th century, with a beautiful baldachin added over the main altar.  At that time someone decided that it would be a good idea to unify the appearance of the Romanesque nave and the gothic choir by adding a vaulted ceiling in the nave.  Unfortunately the Romanesque walls of the nave had not been designed to carry that kind of weight and over the centuries they have been shifting outwards ever so slightly, to the point where it became too dangerous to enter that part of the building.  In the 1920’s someone had the idea to repaint the interior of the church – at that point a lot of the original 14th century paintings were still intact.  It seems that what was there was scraped off and plastered over, not much left to uncover, unfortunately.  So what our guide showed us was essentially the choir and apse – beautifully panelled walls with choir stalls along the walls.  Apparently one bishop sold them to Abbey of Cassan near Beziers, and another one bought them back one hundred and fifty years later.  Behind the main altar is a chapel which houses a strange display case.  All kinds of bone and other things in an enormous reliquary.  On the walls either side are marble plaques, detailing the treasures which the church owned.  Makes fascinating reading, but I would imagine that most of it has disappeared.

The painting in the chapel has disappeared, leaving a gaping hole and the view of the original 14th century walls behind.  Then we went into the sacristy – and that’s where it really felt like the Marie Celeste.  All sorts of paraphernalia were stacked up and standing about, including lots of paintings, all of them in dire need of restoration.  Our guide then allowed us a glimpse of the nave, and explained that the end had been excavated and found to contain a large number of gallo-roman sarcophagi.  In fact the whole area around the church was a vast necropolis.

Then it was time to go down to the crypt.  A wooden ceiling was protecting the visitors from the possibility of falling stones, and the access was down a small staircase.  Again, there was no light, only our guide’s torch to show us what there was.

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Our guide suspected that the crypt had been extensively reworked over the centuries.  There were brick walls visible through small windows but they could not have been put up from within the crypt.  Then there were the stone slabs which formed the ceiling, which had all been tombstones – an early form of recycling!  On some of them the inscriptions were still quite visible.  As we went round the crypt there was a rather gruesome representation of St Aphrodise’s head, and then it was up the steps and out towards the entrance.  The stained glass window was beautiful (most of the stained glass in the church is 19th century) and the restored part gave a good idea of what the church could look like once fully restored.

This visit was the very last one to the church in its present state – what a lucky coincidence.  Work is due to start later in the year to consolidate the building and make it safe.  Then the real work of restoration will have to begin, and so will the fundraising!  I hope you’ve enjoyed this historic visit!!

Spice up your life

Last week it was time again to meet up with my friends for some more cooking and delicious food!  We met up in Caunes Minervois and the theme our friends had decided on was Indian food, to be precise Keralan.  And while I think of it – last year I wrote about the Open weekend at my friends nursery in Caunes Minervois   – so before I get sidetracked I wanted to let you know that this year’s open weekend will take place on June 1 and 2, 2013;  you can find details here; do visit if you are in the area!  The garden was already looking pretty good, and I’m sure you’ll find plenty to keep you interested.

End of digression – back to the food!  The choices for the menu had been made and it ran as follows: peanut salad, spicy prawns, spinach with coconut, fish baked in foil, vegetable sambar, rice, spicy pineapple.  The ingredients had all been prepared and soon we were all chopping, grinding, peeling, shredding and grating away, working on our recipes.  I’d elected to work on the spinach with coconut and the spicy pineapple. I was not entirely sure that I liked the idea of the spinach and coconut combination, but since we vowed to try new things I kept an open mind about it.  First catch your coconut, or in our case crack it open.  In the absence of a machete, we used a small axe and then the extracted flesh had to be peeled and grated, then ground to a smooth paste in a food processor with some chopped onion and garlic, and a little water. In one picture you see the paste along with some chopped green chili.  The sliced shallots and the halved chili pepper in the other picture are also for this dish.  The recipe comes from Madhur Jaffrey’s Flavours of India.

Once it came to cooking it was all very quick.  The shredded spinach was put in a large pan and put on gentle heat until wilted.  The coconut paste and chopped chili were then added in a well made in the middle of the spinach and allowed to steam for a little while.  In a separate pan we heated some oil and fried mustard seeds and rice until they started to pop, then added the sliced shallots, and cooked them to a golden colour.   The halved chili went in right at the end.  Then all was added to the spinach and mixed.  Of course since I was cooking I didn’t take pictures of the progress of that particular dish :-( .  But there are plenty of other photographs!

The spicy pineapple was good too – the pineapple was trimmed neatly, studded with cloves, then fried in a hot pan until golden all over.   It was roasted with a spiced syrup which had star anise, Szechuan peppercorns and cumin and had to be basted every five minutes – quite something!  It did have a gorgeous flavour though, and there were absolutely no leftovers :-)

Here are pictures of the starters and main courses arranged on plates – very delicious!  Oh, and making chapatis was very easy and good fun!

A walk in the park

On a recent visit to Beziers I had some time to spare and decided to pay a brief visit the Plateau des Poetes, a park at the lower end of the Allees Paul Riquet. The park was created during the second half of the 19th century on a steep, wooded hill, and designed by the landscape architect Eugene Bühler in the English style on nearly 10 acres of land.  There are a few  theories as to origin of the park’s name, but the most likely is supported by the fact that the park is dotted with sculptures and busts of poets and writers born in Beziers.

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The first and rather striking sculpture I came across was one dedicated to the memory of Jean Moulin, who was a native of Beziers and a hero of the French resistance movement during the second world war.  The monument was designed by the sculptor Marcel Courbier, who was a friend of Jean Moulin, and who hailed from Nimes.

I’d come to check out the plantings of spring flowers – each year the Beziers municipality plants the most sumptuous displays – and I was not disappointed.  I was too late for the daffodils, but the rest more than made up for it.

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There are many sinuous paths around the park, snaking across the hillside and there is a lovely walk at the top of the hillside, which allows you some wonderful glimpses of the park and the man-made lake (complete with ducks!).

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One of the nice things is that it’s not all there for you to see at once, it needs a little bit of exploring!   The most dramatic feature of the park is the Titan fountain, sculpted by yet another Beziers native, Jean-Antoine Injalbert.  This sculpture is altogether 17 metres high, although if you approach it from the top you might not think it that grandiose.

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At the top is Atlas carrying the weight of the world – cast in bronze.  He’s resting on a stone base, representing Pan flanked by rearing horses.  If you look carefully at the first picture you can see the face and the horns.

The real drama of the sculpture is revealed as you take one of the paths down the hill and look at it from below.  There’s as much of it again, a base of rock which has water cascading or trickling over it into a basin at the foot.  When I was there all of it had been drained and was in the process of being cleaned.  I’m looking forward to the summer when the water is on again!

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The flower beds around the lower part of the fountain were just spectacular – lots of anemones in a riot of colours!  And here’s a closer look at Atlas, carrying the weight of the world on his shoulders!

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Injalbert also sculpted some smaller pieces, a little less dramatic, but very charming.  Here’s the centrepiece of another fountain in the Plateau des Poetes.

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And there’s lots more to see.  The wrought iron gates at the lower end of the park, opposite the railway station are spectacular, but I didn’t get that far.  It was time for me to get back to my car and head off.  I hope you enjoyed your walk with me – we can go for another before too long, if you like?

Dinner with friends

I went for a drive this week, on the D612 heading north out of St Chinian.  My destination? A small village in the Lauragais called Cuq-Toulza.  Google it, you’ll see that it’s very small, several dozen houses strung out along the N126, which runs from Castres via Puylaurens to just beyond Cuq-Toulza.  But if you look at the marker it is placed just outside the village, and sits atop of the hill where I was headed for:  Cuq-le-Chateau!  I’ve not verified this, but I would imagine that the original settlement was there, a small village built around the château and the church, at the top of the hill and easy to defend.  I had come to visit my friends Philippe and Andonis, who own and run Cuq en Terrasses, a small boutique hotel in the former 18th century presbytery.

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The building is one of those wonderful houses which doesn’t give everything away at first glance.  There it is, on the little square just across from the church, a lovely honey coloured two-storied house with white shutters.  Enter into the hall and you see a staircase going up to the first floor, but there are steps down too.

Philippe showed me up to the yellow room, which had just undergone a transformation with the addition of a new opening on one side, adding a dramatic view to this room.

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P1010911The whole of the first floor has exposed roof beams, showing the beautiful carpentry work from centuries gone by – especially impressive on the top floor landing!

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Once I was unpacked and settled I ventured downstairs – and here’s the surprise.  At the front door the building may only look two stories high, but because it’s built on a hillside, there are actually two more stories below, all with a fantastic view over the valley and hills all around!

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First a quick look into the salon, which runs the whole depth of the house from front to back, on the ground floor.  It’s ever so cozy and there are rows and rows of books and magazines to read, DVDs to watch and CDs to listen to.

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So downstairs, passing the “ZEN” landing where the calming tinkling of water is heard…

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… until two floors further down I reach the terrace and the restaurant.  You’ve already seen the view from the terrace and if you look at that picture again you can just see the corner of the conservatory, which was added the winter before last, to create a stunning dining room.  For some strange reason I don’t have a picture of the dining room, but i am sure you can find one on the hotel website.

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There was still time before dinner, so I enjoyed the lovely sunshine and explored the garden.  Gardening on a hillside can be difficult, but here the challenge has been superbly met and despite the fact that we’re only just coming out of winter there was lots of interest.

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On the lowest level to the left, in the furthest corner of the garden, is the potager and right next to it the hen-house.

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I counted six happy hens, two of each colour, and I got an inkling of what I might have for breakfast the following day :-) !!

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On my way back up to the dining room I saw more of those quirky details which make the place so very charming!

Philippe and Andonis had invited several friends for dinner, and I met up with one I’ve known for a very long time, and made new friends too.  It was a delightful evening, not least because of Andonis’ cooking.  We had superb food as the sun was setting:  a Roquefort flavoured pannacotta with home-grown walnuts, and an asparagus cream with Serrano ham for nibbles; followed by a wonderful salad of avocado, mango and prawns.

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For main course there was a delicious chicken dish – chicken breasts encased in Serrano ham and pastry, with a spinach filling, served with a morel sauce.  I’m salivating as I type, and I hope you don’t feel too hungry.

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We all decided that cheese would be too much, so moved straight onto dessert!  Creme brulee served with a tagine of pears and marzipan cigar.

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I loved that dessert, it had just the right combination of creamy, crunchy, sweet, and that marzipan cigar was just wonderful.  I was so lucky to get some seconds of that – thank you guys!!  I went to bed wonderfully replete after a great evening with very special people.

Guess what I had for breakfast the following morning??  A newly laid boiled egg, and yes, I am gloating :-) !  There’s nothing like a newly laid egg from real hens, the flavour and texture is incomparable!  And I sampled Andonis’ famous home-made orange marmalade, which is to die for!

After breakfast and more chats with our new friends, I had a look at the church just across from the hotel.

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Inside all the walls and ceilings are decorated with painted ornamentation and there are many statues. The blue ceiling is particularly unexpected, but apparently not atypical for the region.  The whole has a wonderfully serene feeling about it, somewhere to sit and pray or meditate or to just enjoy the peace and quiet.

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As with so many old buildings, costly repairs are needed to preserve what’s there, and an association has been formed which organises a series of concerts each summer, to pay for restoration projects.  Ask Philippe and Andonis for details!

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Thank you Philippe and Andonis for a wonderful stay, it’s a great privilege to count you among my friends!

If you are tempted to experience the magic and charms of Cuq en Terrasses yourselves do mention that your read about it on the midihideaways blog :-) !